Showing posts with label Cape Ann. Show all posts
Showing posts with label Cape Ann. Show all posts

Wednesday, July 22, 2015

Pilgrim in Dogtown



Smack dab in the center of Cape Ann--Massachusetts’ “other cape”--is Dogtown Commons, over 3000 acres of storied wilderness full of glacial erratics, abandoned colonial foundations and legendary tales of witches, wild dogs and wonderment.
Dogtown Road, Dogtown Commons

I learned of Dogtown Commons shortly after, as a single mother, I began to bring my young daughters out to Cape Ann for vacations. Dogtown, the guidebooks said, was not to be entered without a compass, ideally without a guide and certainly not without notifying family members you were going in. And because it had been the scene of a brutal murder in 1984, gruesomely described and painstakingly reported in Elyssa East’s excellent 2009 book, Dogtown: Death and Enchantment in a New England Ghost Town, I was never inclined to bring my daughters there, though I was mighty curious about the place.

But Dogtown has changed (a little) and my daughters are young women now and this year, during my visit to Cape Ann, I ventured past the desolate gate that separates the wild from the working class suburban.

Image result for Dogtown commons
The cover of Elyssa East's book
I went in.

I didn’t really expect to have the kind of spine-chilling sense of being followed that East describes in her book. I didn’t expect to see the strolling, black-caped warlock or the confounding teepee structures she saw. After all, her forays into Dogtown were in the naturally-more-mysterious autumn, when the tourists were gone—not that Dogtown itself has any--and the native eccentricity of Cape Ann is more apparent. (I’ve lived there in the off season and seen how the local culture supports it anomalies and eccentrics with tenderness and tolerance.)

Nevertheless, I went into Dogtown Commons with caution. Because it is easy to get lost there. It has been home to its share of oddballs and loose screws. And it’s a wild place, despite being surrounded on the periphery of the island by civilization. So I went in on high alert, channeling the sheer, subtle awareness of Buddha after he awakens.

But there is another strange aspect to Dogtown. During the Depression, Roger Babson, entrepreneur, business theorist and founder of Babson College in Wellesley (as well as tenth-generation of the Gloucester Babsons), took it into his head to hire unemployed stone-cutters from Cape Ann’s granite industry. He sent them into Dogtown to carve into the larger glacial boulders inspiring (?) and preachy admonitions to living the moral life. I’d long known that you could climb through the thick undergrowth of the barely perceptible pathways and see stones inscribed with eight-inch, bold font directives such as “Industry,” “Initiative,” “Integrity” as well as the more pointed supposed verities such as “When Work Stops, Values Decay,” “Prosperity Follows Service” and “Help Mother” (and I confess I rather like that last one).

Honestly, I’d never cared to see the Babson boulders. I’d wanted to experience the more raw and austere Dogtown, the scarier Dogtown where maybe I might catch sight of a warlock in a black cape. So when I entered the Commons a week ago and found myself espying the boulders, I was initially disappointed. Oh. These, I thought. “Kindness.” Sigh. “Truth.” What of it? Pontius Pilate asked Jesus what truth was and Jesus said nary a word. And these trees wouldn’t talk.

Then I walked some paces onward, tripping over stones (and it’s impossible not to trip in Dogtown, shifting, stony terrain that it is), the sun at noon, and I realized I was lost. Not lost exactly. But not found, either. The paths and the non-paths all look alike. There was nothing otherworldly happening. But it wasn’t comforting, either, this possible lost-ness. The locals don’t tend to swarm Dogtown. The tourists largely don’t know about it. There is no well-trod way.

And then I saw another boulder. I couldn’t see if it said anything. There were plenty of speechless boulders. I walked around the other side. And it said “Work.”

I wasn’t lost. I was on the path, as such a path it was.

And I began to see an uncomfortable irony: that the preachy, moralizing Babson who’d sent his hired workers to bastardize maxims in granite was now providing not a moral compass (I don’t need to be told “Never Try, Never Win”), but an actual verbal compass as I made my way through this small patch of strange wilderness.
Rocking an erratic
I felt an odd gratitude for the notations. But on emerging safely from the Commons, I felt an even stronger desire to re-enter a less prescriptive Dogtown—if only the one in my own head or heart—where I have subtler guides than clobbered boulders to help me chart my own paths.


Sunday, May 19, 2013

The Wild New England Shore

I had to chuckle. Okay, maybe it was more of a snarl. But it was some form of an amused sound I made when I read The Massachusetts Review's rejection of my submission:

Dear Writer:
Though your work has been declined by our editors, we thank you for allowing us to consider it. 


Sincerely,
The Editors of The Massachusetts Review

I was struck by a couple of things: the anonymity of the rejection, of course. But also by how that anonymity was somehow amplified by the inconsistent logic in the use of the upper and lower case. I mean, I never think of myself as a Writer. But if I did think of myself that way, I'd think that what I wrote was Work. And--no offense, I don't think of the editors of The Massachusetts Review as Editors, either, but as people who have names. Same as I have. A name, not an upper case letter appended to what I or they may or may not be.

Anyway, it's nothing personal about Massachusetts, the state (or should I say The State?) to which I one day hope to emigrate in order to cleave more closely to the shore (and ironically, the story I submitted to them was one set on Massachusetts' brilliant Cape Ann). It's just that the irony of such an impersonal rejection was in stark contrast to the warm acceptance I got for a story which will be forthcoming this fall in the print edition of Prick of the Spindle journal. I had an earlier piece in the September, '09 online edition of that magazine, which you can see at http://www.prickofthespindle.com/pages/vol.3.3/nonfiction_reviews.htm. It's called "Lent."

Okay, no hard feelings, dear Editors of The Massachusetts Review (or maybe a tiny few) and just to prove that I'm going to quote, as a paean to the Bay State, from a Felicia Hemans' poem I used to recite as a child (strange child!) at the drop of a hat for any occasion. My family didn't like it, but I was a Pilgrim to my core:

 The Landing of the Pilgrims

The breaking waves dashed high
Pilgrims mooring their bark
on a stern and rock-bound coast,
And the woods against a stormy sky
their giant branches tossed.

And the heavy night hung dark
the hills and waters o'er,
When a band of exiles moored their bark
on the wild New England shore.

(Just imagine all the nouns and adjectives you could turn into Words of Substance in this little snippet of the poem.)

And don't forget to check out Prick of the Spindle!
http://www.prickofthespindle.com/pages/vol.3.3/nonfiction_reviews.htm.