I have just finished watching, over the course of a week,
the 2005 season of “Dr. Who.” I didn’t
do this voluntarily, of course. At least, not at first. I was cajoled, coerced
and cornered into watching it. I was guilted into watching it. And by the time
I sat down to watch the first episode I’d heard so much about it I’d stopped
listening to what my daughter was saying. But it was
when she said, “It’s just so sad because I don’t have anyone around me who will
talk to me about Dr. Who!” that I caved. It was that
appeal to help allay her existential sadness that put me over the edge.
The first
episode is called “Rose.” Rose Tyler
is about twenty, given to wearing jeans, pink
hoodies, Union flag tee shirts and substituting ‘f’s for ‘th’s. She lives with
her mother in a council estate in a dodgy part of London and she sells clothes
at a toney Harrods’ styled store near Trafalgar Square. At least she does for
the first part of the first episode until she is accosted by mannequins who
come to life and try to kill her.
Rose Tyler |
Rescue comes in the form of a
humanoid alien called The Doctor. He saves Rose, blows up the clothing store
and tracks her down at her apartment to pick up the arm of the mannequin he had broken off as they two of them were
fleeing the advancing pack.
Then he
enters his blue Police Public Call Box, Rose hears some strange cranking kind
of sound and the Call Box disappears. End of The Doctor. For the moment.
Because the
human race really is under attack and
the Nesting Consciousness located in the subterranean tunnel under the London
Eye is set to activate the signal that will animate every plastic mannequin in
Britain for all-out human destruction.
In a
stunning act of diplomacy and bravery, The Doctor, aided by some gymnastics
from Rose, defeats the Nesting Consciousness, deactivating the mannequins,
saving Britain and the world.
Can you
believe that Rose, leaving mother and boyfriend behind, decides to travel with
The Doctor in his Police Public Call Box which is not really that at all, but a
TARDIS time machine, bigger by far on the inside than on the outside?
Can you
believe that Doctor Who is the longest-running science fiction series in the
world and that next year it will celebrate its fiftieth anniversary? Can you
believe how much I laughed during the thirteen episodes I watched? Can you
believe I much I cried during the thirteen episodes I watched?
My daughter
was right to cajol and coerce me into watching the show. And not just because
it has a cult following to rival the Grateful Dead and a whole line of Doctor
Who-related merchandise. (I gave Linnea a TARDIS cookie jar with special sound
effects for Christmas.
It’s that this series, for all of
its campy theme music, absurd special effects, stock war-of-the-world plotlines,
is chiefly about two things: the love that human beings share with one another
and our need to hope that disaster will be and can be averted. You might be
able to say that same thing about Star Trek, but Doctor Who takes the time to
develop relationships that themselves change and deepen . And because The
Doctor periodically has to go through ‘regeneration’ (which is why eleven
different actors have played The Doctor throughout the years), the theme and
knowledge of impending loss is always a part of how we come to know and care
about The Doctor. He won’t be ours just as he is forever
We pretty
much know how every episode will end: The Doctor makes it better. But along the
way there is a very real, very believable development of characters you come to
truly care about because they remind you of the people in your own life, the
people you love best, the people you’d want most to be protected.
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