This is from the memoir. Marriage isn't made or un-made in courts, but elsewhere....
I add my breath to
your breath
--Laguna Pueblo prayer
Unlike
cars, we have all learned that marriages are only interesting when they break
down.
Broken down
marriages are the stuff of movies and books, TV talk shows and Hollywood celebrities. A good marriage is boring, everybody knows that.
But I get
to look at the faces of each couple every time I perform a wedding and
I believe that there has never been anyone who wanted anything other than that most boring of things, a good
marriage. Their faces give it all away. There is just a moment—it’s hard to
describe—when naked hope seems to make their faces glow silvery and luminous.
It is a
private moment and I am a privileged witness. But getting that shining glimpse
of palpable hope almost always makes up for all the taxing parts of getting a
couple actually wed.
That said, weddings
are one of the most onerous parts of parish ministry.
First you
have to go through all that pre-marital stuff with the moony-eyed couple in the
pastor’s office. I like to keep it simple. I ask them to tell me their love
story which, with the reciprocal narcissism of the deeply-in- love, they are
always more than happy to do.
They sit
haunch-by-haunch on the couch in my office, well-groomed and dressed—they’re
meeting with the pastor, so I guess they figure they ought to wear their
Sunday-best. Each of them takes turns narrating the story of how they met, how
they courted, what speed bumps they hit, how he—or more rarely, she—proposed.
Often there
is a ring story. I love the ring stories. Grooms can be very inventive in the
ways they present their diamonds. One of them proposed in a hansom cab in Central Park, though it didn’t go quite according to his
carefully-detailed plan. Just as they were about to get into the hansom cab,
the groom realized they had left the camera in the hotel room. He insisted they
go back and get it. The bride was freezing. Why can’t we just take the damn
ride and forget about the camera, she wanted to know.
No, we need it. No, we don’t. Yes, we do. So they went back to the
hotel, then back once again to the hansom cab and by now the bride was not only
freezing, but pissed off, too. It might not have been the best moment to
propose, the groom said, but he did it anyway. And he had the cab driver take a
picture of them, the bride happy, contrite, teary-eyed and glad they had gone
back to get the camera.
Another
groom gave his girlfriend a gift certificate for a manicure a few days before
he planned on surprising her with the ring. She was offended—what did he think
was so bad about her nails just the way they were? He thought she needed to
wear nail polish? She passed it along
to a friend who actually enjoyed getting manicures.
Another
groom proposed at the very top of Sacre-Coeur in Paris. Another hid the ring inside a
Plexi-glass cube with filled with Post-it notes on which he had written out his
proposal.
So anyway,
all the while the couple is telling me their love stories and their ring
stories, they are sitting close enough to lean in to each other, to rub each
other’s knees, little gestures that don’t seem to them too inappropriate to do
in front of a person of the cloth who, no doubt, wouldn’t understand the first
thing about sexual desire.
When older
people get married they usually want less of the pageantry and folderol of a
storybook wedding. But younger people often want the all garish accessories of
the day: the sappy unity candle (it doesn't always light); the white paper carpet (somebody always
trips); the Purcell “Trumpet Voluntary” or, worse, “The Pachelbel Canon”
poorly-played; a bevy of bridesmaids wearing colors found only in bridal shops
and gelato stands; groomsmen anxious for the open bar.
In the
cases of these pageant-weddings, there comes a time when, late in the game, one
or the other of them has had it up to here
with wedding details. The spiral notebook they have been using to track their
progress is looking dog-eared. There is a problem with one or more of the
relatives. Or the reception site, or the transportation arrangements. Or all of
the above.
It happened
with my own wedding: The pastor who was to assist at the ceremony got caught
groping a thirteen-year-old boy and was removed from his job. The friend who
had agreed to cater the reception severed a nerve in her hand a week before the
big day. My in-laws were in a train wreck coming up from New York City for the wedding weekend. My
mother became mysteriously ill and had to skip the rehearsal dinner.
It sleeted
the day of the wedding. The reception was in a gallery hung with oil paintings
of dismembered heads and other body parts rendered in a style to make Gericault
proud. Not only that, but it had been a posthumously-mounted show—in memory of
the painter who had committed suicide the year before. If omens mean anything
it should not be surprising that we divorced.
But I am
generally sympathetic to all the little wedding details that can go awry.
Because I know that, one way or another, I’ll get them married.
Of course,
that can’t happen before the nightmare known as the wedding rehearsal. This is
another form of torture that older couples often skip. I can safely generalize
that pastors are grateful to them beyond measure.
Because
some awful things occur at wedding rehearsals. First, they would not be
complete without the wedding-rehearsal-know-it-all. And unfortunately for my
gender, it usually is a woman. Unfortunately, it is often the mother of the
bride. Knowing that I am a woman and that I have daughters worries me: when
wedding rehearsal day comes will I be able to avoid the dreadful trap of
micro-managing the session? After all, I
am a genuine
wedding-rehearsal-know-it-all. Seasoned and savvy.
The
wedding-rehearsal-know-it-all know knows all the right ways to do things and
they will challenge anyone who challenges them. So there is usually some frosty
discussion about the ‘groom’s side’ and the ‘bride’s side’ as if the church
sanctuary were a gigantic bed. Seating the mothers always seems to elicit some
conflict. How the bridal party gets down the aisle is reliably a headache.
“Step-together.
Step-together,” the wedding-rehearsal-know-it-all will say.
“No, that
looks stupid,” somebody else says.
Yes, I’m
thinking. Yes, it really does.
“Go slow,”
the wedding-rehearsal-know-it-all says. “And smile!”
Then there
is the question of blocking. Should the father raise the veil or should the
bride? When does the maid of honor take the flowers? Should the bride’s train
be bustled up for when she lights the unity candle and then let down before the
recessional?
Who the
hell cares? I’m thinking. Why the hell does she have a train on her dress in
the first place? This is not the ante-bellum South.
Wedding
rehearsals take a lot longer than they ought to, but probably not as long as
they might take because fortunately there is always somebody itching to get it
over with so they can go out and get a drink. Somebody besides me, that is.
Then finally
the wedding day arrives and with it unexpected glitches or surprises. The
limousines get lost on the way to the church. The bride has a coughing fit. A
little voice crows from the congregation, “Mommy, I have to pee!” The unity
candle fails to light. At the outdoor wedding a slug crawls up the pastor’s
ankle.
The
unexpected is predictable.
But then
the moment comes when the couple take each other’s hands and turn
their backs to the congregation and turn their shining faces toward me. I only
hope my face can reflect some of that shine out onto the congregation. Because
in spite of all the tedium, irritation and hassle of weddings, there is nothing
quite like seeing the faces of the bride and groom as they stand together and
say their vows.
It’s one of
the bravest things anybody can do—get up and pledge to love another person, come what may.
I know it’s
true that some of them won’t love each other, come what may. I’ve been divorced. I
know how it feels like to have love to fail to do what, in love, was promised.
Yet right
then, in that holy moment of love firmly pledged, hope is so real you could
almost cut it like a wedding cake. And that hope goes a long way in making all
the headaches of weddings worthwhile. Because when there isn’t too much pageantry
and there is a palpable sense of commitment, a wedding service is one of the
strongest affirmations of life.
It might
happen this way:
The bride
and the groom have already been together for sixteen years. They have,
unflappably, planned a fabulous hotel reception in Cooperstown,
rented the chapel in the Farmer’s Museum and arranged for transportation for
all the guests between the two places.
But they
could not have foreseen the weather. Outside of the church a fierce November
storm rages. The thin church walls can’t keep out the wind, so the candles
flicker. The orange glare of the portable heaters can’t warm the space, so the
guests shiver. A wintry mix sluices the windows. Yet none of that even comes
close to dampening the spirit of the event. The bride and the groom face each
other in the Farmer’s Museum church to make their vows. The groom reads a
Psalm:
I remember the days of old,
I think about all your
deeds,
I meditate on the work
of your hands.
I stretch out my hands to you;
my soul thirsts for you
like a parched land.
Then they
take each other’s hands. The portable heaters rattle. The storm beats the
clapboards. But their voices rise over the noise and they promise to go the
rest of the journey together, come rain or come shine.
*** *** ***
Or maybe
the wedding will go like this:
She had
been a runaway bride before—not just once, but several times. This wedding was
supposed to be a private ceremony since ‘a little nervous’ didn’t even begin to
describe how she felt about getting married. But she works in an independent
bookstore with a bunch of middle-aged women determined to see her go through
with this wedding. She’s got a gem of a man this time and they want to make
sure to be there to support the couple. So they insist on attending. They sit
close together in their black outfits and artsy jewelry, a coven of
comrades.
The bride
is wearing a stylish short white dress. She stands at the back of the church.
She has a friend on either side of her and each of them is firmly holding one
of her elbows. When the music starts and the maid of honor has already arrived
at the front of the church, they help her make the mighty journey down the
aisle. The handsome groom’s eyes glaze with tears. The bride’s knees are visibly
shaking.
Then, when
they make their vows to one another, all the women from the independent
bookstore sniffle as one. The groom tries—and fails--to stifle a sob.
*** *** ***
Or it may
also happen this way:
Summit, Whiteface Mountain |
The summit
of Whiteface, one of the Adirondack high
peaks, is accessible via a steeply-graded, sharply winding road and then an old
elevator shooting upward through the bowels of the mountain for the last couple
of hundred feet. Most of the guests arrive that way.
But the
bride and groom spent the early part of the day hiking it, changing into their
wedding clothes just before finishing the climb to the summit. They chose the
location—and their means of getting there—because they had already faced hard
challenges together and wanted to signal their readiness to face those sure to
come.
Now they
stand together on a granite outcropping, waiting while guests spill from the
elevator and make their way across the rocky summit. In the distance other
lakes and other mountains gleam in the sunshine. We can see for miles up here.
Other
hikers watch as the wedding party gathers. Some wish the bride and groom good
luck and then go on their way. Still others are captivated by this man and this
woman with their wind-whipped wedding wear and hopeful faces. Spontaneously
they stand there as witnesses to the wedding, too. Some even join in singing
the hymn the couple has picked:
Now thank we all our God,
with heart and hands and
voices,
Who wondrous things has done,
in whom this world
rejoices,
Who, from our mother’s arms,
has blessed us on our
way
With countless gifts of love,
and still is ours today.
*** *** ***
Here is
another way of wedding:
The living
room is crowded with their two large families. Children gambol about the sofas
and folding chairs. In the kitchen somebody is fussing with the cold poached
salmon. Somebody else is setting out bottles of chilled champagne. Everything
is running a little late, so the flutist and the guitarist are on their second
round of “Sheep May Safely Graze,” one
of the groom’s special choices.
At last the
service begins and a roomful of serious faces turn to look at the couple. No
one had really expected anything like this to happen. No one makes a sound during the exchange of
vows. No one stirs as they listen to the reading the couple has picked, a poem
by John Cavenaugh. They have only been together as a couple for a few years,
but they have already done much of what the poem describes:
I want to walk with you above
the pines,
Scale mountains, leap rivers, speak to the sun and the moon.
And make wagers with the stars.
I want to roll laughing down lonely canyons…
Scale mountains, leap rivers, speak to the sun and the moon.
And make wagers with the stars.
I want to roll laughing down lonely canyons…
And
hear the music of coyotes resound across a moonless sky.
Then the
groom turns to the musicians and nods. He has another special musical
choice—this one for his bride. They begin to play “Bess, You Is My Woman Now”
as his new wife gazes up at her tall and lanky husband. They kiss, we clap and a
little boy jumps up from his chair and wraps his arms joyfully around the
groom’s long legs.
W.H. Auden
wrote, “The choice to love is open till we die.”
The groom
is 77, the bride is 69.
*** ***
At another
wedding the bride is gaunt from chemotherapy and bald beneath her wig. She
hadn’t planned to be dying. She hadn’t planned to be married, either, though
her partner had long wanted to marry her. Finally it became a question of the
health insurance. His was better. So now, with death already beginning to part
them, the groom slips a diamond ring along her bony finger.
Don’t go,
his face says.
Thank you
for this ride, hers responds.
Then,
another wedding, two years later:
On a
sunshiny day a small wedding party gathers on a raft in the middle of a bright
blue pond: the dead bride’s husband, her mother, her son, a young woman radiant
with the glow of pregnancy, and the young woman’s parents. They are planning to
name the baby after the groom’s late mother, Miranda. It really is a story of
life after death. So there can be no mournful tears today.
And I
remember Shakespeare’s quote, “Out of this nettle, danger, we pluck this
flower, safety.”
*** *** ***
The groom’s voice is choked with tears as he makes his vows.
The other groom wears that shaky smile of a man trying not to cry. There aren’t
many people in the church, not their children or their parents or their
siblings. There are only a few friends and some members of the congregation.
This
wedding will not be recognized by the laws of this state nor authorized by my
denomination. The fight for all of that will continue and will someday be won.
Yet right now that doesn’t matter. What matters is that, though I could be
subject to removal from the rosters of the national church for performing this
blessing, I trust that neither my Bishop, nor her assistants, would support
such proceedings. And this congregation, though not all in agreement on issues
of sexuality, is happy that this church is the site of this marriage
today. What matters is that, though the grooms’ families are not supportive and
there will be few in attendance, one of the women of the church—a smart and
generous-hearted older woman—is preparing a reception for them. We will go to
her house. There will be delicious food. There will be presents. And of course,
there will be a wedding cake.
Jo, that was a beautiful read!
ReplyDeleteThank you.